Although it said 7.45 on the ticket I think everyone was surprised when the last call bell rang at 7.45 and Television actually ambled onto the
stage. Nothing in the way of Good Evening London, or even any
acknowledgement that they were even on stage. Richard Lloyd looked really scruffy! Horrible
red shirt and terrible sweatpants rolled up at the ankles. At least Fred Smith and Tom Verlaine wore regulation black jeans...
A surprisingly brief bit of noodling / tooning and we were off into the first of a
whole bunch of new songs. Really new ones, not even the ones that they have been performing over the last few years. These
were brand new. And good too - quite rocky in places. The opening new piece, apparently called "Flower Spasm" at the moment led into a spirited "Venus" and the always welcome "1880 Or So", the long jam at the end lifting the song into the stratosphere.
In between the songs Tom consulted with his music stand containing his
"note... book" as he called it. He speaks with loooonnng pauses in the oddest places. He also muttered something about
"we like to come and play in European theatres. It's like rehearsing on
stage. That means we'll be really good when we get back to our practice
room..."
Tom actually seemed quite cheery though, in his usual distracted manner.
According to TV, Richard plays the "Strat - o - cast - or..." and
Fred plays the "bass" but he pronounced it like the fish... it seemed to amuse him though!
Lots of protracted tuning while Fred stood and watched. Billy Ficca used these
times to tap everything he could find with his drumsticks and occasionally he
managed, in this way, to lead these seemingly random tunings into actual songs.
Richard seemed quite chirpy too but still looks like he's gonna murder someone
when he takes a solo, and he holds his guitar as if it's really pissed him off
somehow, so he's gonna strangle that mother soooo hard... But what magnificent
playing! It's fascinating to see them up close and watch the constant swapping
of lead lines. "Marquee Moon" is a good example - Tom plays the
choppy riff at the start of the song as Richard does the fiddly bits, but somehow they
seamlessly swap over for the long solo in the middle. As usual there's very
little interaction between the band members - they barely look at each other.
Old favourites - "Venus", "See No Evil", "Prove
It", "Call Mr. Lee", "1880", and of course
"Marquee Moon" were all dispatched with a freshness that pleased me. "Mr. Lee" was especially good, a really chunky sound from Lloyd.
Then after a great encore of "Little Johnny Jewel" another, shorter mic stand appeared on stage and when they all wandered back again
they were accompanied by Patti Smith in battered leather boots and a sort of
tweed jacket over a lurid orange t-shirt. With her glasses and her greying
frizzy hair she looked like a scary granny. She launched into a semi-improvised
song / poem - about Ophelia it appeared - backed by a top new tune from Television.
It was a really great, powerful piece - Patti reading most of the words from
her notebook and Tom grinning occasionally at her. Must have been written /
made up on the night as it referred to the summer solstice. Very cool
anyway.
Then they all wandered off again and
the lights came up. It all seemed over rather abruptly but they'd played for
nearly two hours, so we can't complain.
Set list...
Flower Spasm
Venus
1880 Or So
Kinks' Song
Balloon
The Sea
Shirley's Song (Frustration)
Prove It
Call Mr. Lee
See No Evil
Marquee Moon
Little Johnny
Jewel
Ophelia (?),
featuring Patti Smith...
...case closed!
** - 12 years on and there's still no sign of the album, nor do we have any idea what's happened to all the new tracks, as Television have stopped playing them!
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