Some shuffling on the iPod
today (I've not done that for a while) and I've heard -
"Marian" from
the Sisters of Mercy - Goth heaven! To be honest this is closer to the sound of
the Mission which Wayne Hussey was shortly to form, but whatever it's a
terrific song, and Eldritch's vocals are wonderful. the word 'subterranean'
seems appropriate...
"Artists Only" -
a Talking Heads demo from late 1975 when the band was still a trio, yet the
song is fully formed, and although not quite as obviously loopy as the More
Songs... version, it's still a very peculiar piece. Very!
"In Power We Entrust
The Love Advocated" - Brendan Perry live in 1999. A lovely rendition of an
always brilliant song. This is played very close to the DCD original and
Brendan's vocals are just magnificent.
"Cold Metal" -
Lord Igworth of Pop, live in 1993 with his band blasting through this one at
breakneck speed and Iggy at his most manic. Lots of almost unintelligible
screaming and swearing as the song begins and Iggy singing ferociously as the song
gets going. He's either really really cross about something, or really really
happy. It's absolutely impossible to tell which! Not the best performance of
this track however.
"People" from
King Crimson's THRAK. I love this track, it's about as poppy as Crimson ever
got - it's pretty much an Adrian Belew song, but played by the Crims. Great
singalong chorus too. Very catchy.
"Big Science" -
the live version from United States. Brilliant. Just brilliant. Laurie Anderson
has always been so impressive as a performer, and her songs somehow seem sadder
and more emotional in a live setting. This has a very wistful, melancholy mood,
much more so than the studio track.
"Fill Your
Heart" - David Bowie from the recent 2015 master of Hunky Dory. It may a be
a silly bit of space filling fluff, but it's probably the jauntiest song I own.
There's that impossibly happy vocal, the bouncy trumpet, the sprightly piano
and I'm running out of 'jaunty' synonyms, but you know what I mean.
"PPP" from last
year's Beach House album Depression Cherry. Vaguely Cocteau Twins / shoegaze
ish, but more summery and American. Ish. Good band though, and their last album
Bloom is really terrific. The new ones I haven't got really used to yet,
they're less immediate, but rather good.
"Lighthouse" -
the first demo that no-man made for this brilliant song. It dates from 1994
(the finished track ended up on Returning Jesus in 2001). Although it's fairly
primitive (the drum machine is basic in the extreme) most parts of this long
song are in place (including some parts that were later dropped) and it's a
lovely alternative. Tim Bowness' vocals are stunning, as always, even on a
demo.
"Driving Me
Wild" from Bryan Ferry's Avonmore. This was a great remix which can be
found on his soundcloud pages. Unlike many Ferry remixes which are very dull
and lifeless without any input from the man himself, this one runs to seven
minutes, but sounds as if it's simply the full length version of the song.
Wonderful track.
"Andean" -
Michael Brook live in 1992. Really good stuff. Brook was always good value
live, busily fiddling with dials and buttons whilst striking infinite guitar
notes and controlling programmed beats.
"The Only
Daughter" from cheery Mr Sylvian's bleakest album Blemish. All glitchy and
buzzing electronics. Maybe it's time and familiarity, but this didn't seem
quite as forbidding or as cold as the last time I heard it. After 13 years I
think I'm warming to it!
"Golden Years" -
classic Bowie doesn't get much better than this. This was the 7" single
which sadly fades out a little earlier than the STS album version soon after DB
starts his nonchalant whistling. It's a brilliant production - ultra slick,
very cool, love the handclaps and almost lazy sounding percussion. It's
danceable for sure, but very laid back danceable, not really breaking much of a
sweat.
"The Bends" -
haven't heard this Radiohead track for ages. It ROCKS. I've rather lost touch
with Radiohead. Their last couple of albums are impressive but I don't find
them very likeable, and don't really feel the need to play them. This one is
20+ years old, but really doesn't sound like it. A very punchy modern sound.
"A Gift" from
Lou Reed's Coney Island Baby. Funny stuff. Again it's a very laid back song,
jaunty almost, but those lyrics are so self mocking aren't they? You can
actually hear the knowing grin on Lou's face as he sings, in mock seriousness
"I'm just a gift to the women of this world..."
"The Rest Will
Flow" - a lovely sunny Porcupine Tree track from Lightbulb Sun, which is
probably their most commercial and poppy album. Interestingly Wilson would soon
after hook up with Aviv Geffen in Blackfield who really carried on with this
delightful 3 minute pop song approach, while PT switched to a rather harder
sound with In Absentia and Deadwing. I wonder if he'd not met Geffen whether Wilson
would have let PT have more of his more commercial songs?
"Ghosts" -
Japan. Utterly perfect. How it became a top 5 hit I've no idea, but it's a
brilliant song.
"The Real" -
from Eno's Drums Between The Bells. Excellent ambient backing track, with
various backwards things happening, but I'm still not convinced by the female
narration. It would be better, I think, either with Brian himself doing the
monologue, or just as an instrumental. In fact the Drums instrumental disc is,
I feel, considerably more successful than the vocal disc. Oh well.
"Fire Of Unknown
Origin" - a weird Patti Smith track (b side of "Because The
Night" I think), but frankly not very good. Patti is very whiney, there's
little discernable tune and it's a bit of a waste of time to be honest.
"Heidegger's
Silence" from Jan Bang's excellent …And Poppies From Kandahar. Wonderfully
moody and mysterious and exotic. This is a cracking album, and a great
companion record to Uncommon Deities.
"Pocket
Calculator" - Kraftwerk live in 1990, on my birthday in fact, in Bologna.
Trying out the new Mix versions of songs, this is a brilliant concert. Some
stuff is all shiny and new - like the spiffed up Mix version of "The
Robots", some is still the old style Kraftwerk ("Radioactivity"
is very much the 1975 original version) and some - like this one - are a kind
of mix of the two. Excellent quality audience recording - I must play this
whole gig again soon, it's terrific.
"Fear Of A Blank
Planet" - Porcupine Tree live in 1998. Really pounding version of an
already heavy song. There's a fearsome relentless quality to this song.
Brilliant.
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