Thursday, 10 September 2015

rambling thoughts - sweet jane


I had the ipod on shuffle this morning and after a couple of very pretty but very noodly Michael Brook instrumentals I was suddenly blasted with “Sweet Jane” – the original from Loaded.
 
After years of hearing umpteen Lou Reed live versions of varying quality (surely this must be the song that Lou Reed played live more than any other?), it’s wonderful to be reminded of how damn good the original actually is. And this was the ‘proper’ mix that was put out in 1970 - recent issues of Loaded have of course restored the ‘heavenly wine and roses’ section – Lou was allegedly furious when this was edited out without his permission, though I think it was the right decision to lose that bit, as it makes the song so much punchier.

And what a song – Lou actually sings pretty well, that twinkling intro is delightful (although it was apparently nicked from another, unused, song), That Riff is just brilliant, and the whole thing is given a bright commercial shine by the producers that Lou claimed to despise so much. Quite reasonably, the rest of the Velvets were extremely happy with Loaded, with Sterling and Doug both on record as saying that the VU had never sounded better and that it was only Mr Grumpy Reed who had any issue with it. And it does sound good - it's clearly miles away from the seedy grime of the first couple of VU albums, but the brighter, more positive sound of Loaded really works so well. The Velvets still sound like a band from the New York streets, and they have not been turned into, in any sense, a clean cut pop band, but it's genuinely good to hear the Velvets so clearly and so well produced.
 
There's a (surprisingly for the VU) hopeful and upbeat sound to the whole song. The lyrics are terrific too - one of the best of Lou's vignettes, the characters of Jack and Jane are finely and swiftly sketched - one's in a corset, the other in a vest, you figure out which is which... they are saving their money, sittin' there by the fire, the radio playing, and you can hear Jack say...
 
"Sweet Jane... oh.... whoaaa" 
 
It's such a perfect chorus. Positively joyful, a shout out of hope and love. For all his contrary ways, and his professed love of the avant garde, Lou Reed was rarely better than when he wrote straightforward, simple, catchy rock and roll songs. And "Sweet Jane" is one of the best there is, from anyone.
 
 

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